人們以方正之框遊入大海，川流於海洋與城市之間
貨櫃是藉水遨遊的方正之框，用水的流轉書寫著城市與港口的故事。貨櫃在我們的概念裡不再只是安置貨物的金屬方盒，它也將人們的情感和期待交織於其中，它的流動書寫起一個個城市的風貌，並永恆流動著；歲月如水，流轉於城市與海洋的之間，匯集了一方風土之情。而在這片廣大蒼茫的藍色海面上，高雄，作為一座靈動的港都，因著豐富的水文，展現出它獨有的魅力。這裡經歷了無數次波浪與海風的的跌宕，刻劃獨特而迷人的城市面貌。
貨櫃內承載著形色的貨物，也蘊藏著不同的可能，它象徵著無限的時間，它將城與城、國與國，巧妙地連結在一起。彷彿一條不斷運轉的川流，將飄洋過海的時光書寫成一首溫柔的詩。當引水人港，方正的櫃體穩穩上岸，等待開啟的彷彿是一扇通往末知世界的門，將人們與貨物帶向更遙遠的它方，將城市的視野不斷地延展流動。在此，我們試圖將堅硬的貨櫃切割、重塑，化作柔軟的線條與材料，雕刻出時間、空間、人文與地貌的多重交織。

執行團隊：禾罡裝置藝術有限公司


People swim to the ocean in a square frame, flowing among seas and cities.
A container is the frame that roams with water which flow as the pen brush that reads stories of cities and harbours. It is beyond a metal box to store stocks where people mingle feelings and dreams. Flow writing goes on endlessly from cities to cities while time as water can bring a concentration of good karma by circulating through the ocean and land. Sitting in the vast blue, the artful port city Kaohsiung shines with irresistible glamour of rich marine culture and history. Numerous ups and downs as waves in sea wind leave on the face of the city unique charms.
Stocks of all kinds carry a variety of possibilities. Wordless containers are the symbol of immortal time that ingeniously connects among cities and nations. They move in ceaseless flows, so to speak, embody tender poetry of infinity prevailing over ocean. When containers are piloted into the harbour, they assume a determinant pose with readily open doors to the unknown, taking people and stocks to the further otherness that continuously extends the city’s vision. Now being an artistic expression, the hard containers are cut and remolded, as a result, transformed into soft lines and materials in order to include time, space, humanity and landscape as multi-dimensions of this piece of sculpture.

Installation Executive: Hergun-Art Crafts and Design