White water：衝浪術語，指海浪結構破碎後的形成的白色浪花，意味著海浪即將抵達岸邊，是一段衝浪旅程的終點；但對於正要出海尋找浪頭的衝浪者來說，則是一段旅程的起點。
我們利用三個20呎貨櫃斜切成四等份，藉由重新排列每個貨櫃斷面的高度，形成錯位的空間，隨著在櫃體內部的探索逐漸向上，踏出貨櫃頂部的那一刻，空間由錯綜複雜轉變為明朗開闊，可一覽無遺的眺望整個亞灣區。
作品在視覺上如同起伏的浪花，而在我們眼中的高雄港灣，就如同這一片白色水域，人群在此交會、駐足、聚集、分離，港都的歷史軌跡與當代鮮明的刻痕在此並存、交融。也期許城市發展能在時代的不斷更迭變遷下，一次次地站穩腳步，邁向新方向。
 觀眾在作品裡的移動過程，即如同這片港灣的縮影，帶著期待與希望啟航探索，在空間的一隅喘息、沉澱心靈，在一步步向上爬升的過程中找到方向、遠眺末來，於返程時伴著往日輝煌、滿載而歸。
贊助夥伴：百國金屬有限公司
White Water, as surfing terminology, refers to waves in broken form indicating the close arrival of waves on the shore, the destination of the surfing journey. Yet for surfers who go into the sea and look for the wave, it is departure of another journey. 
Three 20-feet containers are cut into 4 parts each, reconstructed into one piece, and create a misled space by changing the height of every section. The exploration in the ascending interior space of the container turns from complexity to lucidity at the point of stepping out of the top. It is a grandstand view of the whole Asian New Bay. Visually, the artwork resembles white water up and down, while visionally the white water reflects the bay of Kaohsiung, historical and contemporary with clear interflowing traces that mark people’s encountering, stopping, gathering or separating. In the other aspect, it is a wish for the city to stay calm and carry on in the changing tide of times.
The audience walk inside as if being in the miniature of the city bay. They can freely set off for adventures with hope, rest their minds in certain corners, climb up step by step, thus foresee the future and return to the presence in the glory of harvest.
Sponsor: BAI GUO Metal Engineering Co., Ltd.