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Art Accrediting No. 14

2022/01/18 Views:262
Art Accrediting No. 14

The Light of Taiwan's Visual Arts. 
June 2007 issue

Publisher’s Statement

Southern Culture, Tropical Art: The Character of KMFA

“Southern Culture, Tropical Art'' is the slogan KMFA created in cooperation with the Chinese Association of Museums. After KMFA’s first director Huang Tsai-Lang proposed the idea of “local internationalization, international localization'' more than ten years ago, KMFA once again reassesses its position.


KMFA is located at the south of the Tropic of Cancer, the tropical south. It is a known fact. So how is this slogan not simply a reiteration of facts, like claiming “black people have black skin'', “werewolves are human'', or “Taiwan is a sovereign and independent country”?

 “Southern Culture, Tropical Art'' may indeed be a sigh in the face of reality. As the advertisement of skin-whitening in the all-year-round sunny tropics, or the construction of skyscrapers with glass curtain walls in the humid and high temperature environment, we stubbornly express our own opinions despite how nature operates.

However, "Southern Culture, Tropical Art" could also be regarded as the pratical pursuit of the future, factually facting the tropical environment, operating fields and systems that adapt to the environment, and sorting out suitable directions for exhibitions, research, collection, and, educative promotional artivities reacting to the environment.

In 2007, KMFA has chosen to put forward the proposition "Southern Culture, Tropical Art" instead of "Armani" from Italy or "Louis Vuitton" fron Paris. KMFA is completely realistic.

Lee Jiunshyan, Director of Kaohsiung Museum of Fine Arts.

The Light of Taiwan's Visual Arts.

 


【Special Report】

  • Turmoil , Representation and Trends—Modern Chinese Painting | Liao Kuei-Ying
  • If Poetry is the Crystallization of Language, then Technology Art is the Genie of Contemporary Art—On Wandering in Poetry: The 2nd NCAF Techno Art Creation Project | Chen Chun-Hao
  • Observing the Alienated Gorgeous in the Exhibition Room with “Second Skin” | Lo Nita
  • A Journey of Kaohsiung Architecture—On the Architectural Style of Kaohsiung from 1683-1945 (Part 1) | Su Ling-Hsiu and Li Ying-Yi
  • Mar 25, 2007 Kaohsiung Museum of Fine Arts Festival Activities—Taste of Kaohsiung—New Taiwan Street Stall Team | Yu Shan
  • A Game of Imagination and Creativity—Kaohsiung Children's Museum of Art’s "Monster Carnival" | Chen Chan-Chuan

【Featured Article】
  • Past, Present, Future—The Light of Visual Arts | Lee Jiunshyan
  • Discovering Light, Discovering Existence—Taiwan’s Natural Light Experience | Hsiao Chong-Ray
  • The Spring Sun—Stories of the Lighting in Ming-Chang Huang’s Works | Chou Yi-Hung
  • Chen Ming-Shan, the Artist Who Composes Poetry with Light | Liu Chih-Yuan
  • That Light! —An Overview of Spatial Installation Artworks Employing Special Light Sources in Taiwanese Contemporary Art| Yao Jui-Chung
  • From Hehehe to The Secretary General’s Smile—Lee Ming-Tse’s Leather-Silhouette Show Installations | Wu Hui-Fang
  • An Endless Entrance of Consciousness—Lin Chun-Ting | Kao Tzu-Chin
  • Beautiful and Illuminating Reflections of Contemporary Art—The Light of Lin Pey-Chwen’s Works | Chen Hung-Hsing
  •  “Baring It All”—Liang Jen-Hung | Wu Hui-Fang

【Global View】
“Last Riot”, The Soviet Pavilion at Venice Biennale in June 2007 | Liao Tien-Ting
【Story of Neiweipi】
Starting from the Very Beginning—Exploring the Allusions of the Stele of Amitabha Buddha | Li Hsiao-Fen
【Alternative Art】
The Spinning Playground in the Air—The Circus Group | Yu Shan
【Art of People】
Space for Imagination—Tsai Cheng-Chih  Art Museum | Yu Shan
​【Li Szu Hsien's Column】
​Calligraphy in Kaohsiung! —Pre-constructing the Theoretical Category for Contemporary Calligraphy in the "Art of Kaohsiung Exhibition" | Li Szu-Hsien
【Critical profile】
​The Politics and Aesthetics of the Other | Chen Tai-Sung
【A Creative Process】
The Abundance of Stone and the Essence of Simplicity—Chang Tzu-Lung’s Yao | Chen Mei-Chih
【New Acquisition】
The Rukai Version of Equestrian Statue—Arulhadenge Valialane ‘s KMT Soldier | Chen Hsiu-Wei
Beaitiful Despair—Lai Mei-Hua’s Flower Floating on Water | Ying Kuang-Chin
【Children's Art】
Fantasy is Beauty—Exploring the Fantasy Land of Surrealism with a Humorous Mind | Chen Chan-Chuan
【Monograph Abstract】
The Nude that Escaped from the Empty Frame: Double Indulgence in Modernism—A Case Study of Chu Chen-Tung’s Poems and Paintings (Part 3) | Li Yu-Huang
【Views Around KMFA】
​Still as a Mirror—The Lake of KMFA | Rung Li-Chuan
【DIY Tips on Art Critique】
Venus de Milo | Lee Jiunshyan
【Neiweipi Radio】