Skip To Main Content

Art Accrediting No. 79

2022/05/19 Views:181
Art Accrediting No. 79

Still Waters Run Deep: A Poetic Dialogue with the City's Cultural Context
April 2018 issue

 

【Features: Still Waters Run Deep: A Poetic Dialogue with the City’s Cultural Context】
  • Perceptions Between “Still” and “Deep”: The River to Which the Legend Lin Dance Theatre Refers | TSUI Tsai-Shan
  • The Continuance and Flow of Life: Masaya Hashimoto’s and Yoshihiro Suda’s Explorations of Life with Exquisite Techniques | CHANG Yu-Ning
  • An Andante of Subtle Aesthetics: Su-Mei Tse’s Silent Scream | JANG Chun-Ying
  • Let Those Who Have Been Forgotten Sing Their Songs: About Charwei Tsai’s Creations | LIN Hsiu-Chen 
  • Crossing Borders/Connecting with Sounds/Embracing Taiwan: An Interview with Yannick Dauby |CHANG Ya-Liang
  • A Stroll to the Kitchen: Tongue Tip as the Bridge Connecting Community Members | LEE I-chih
 
【Contemporary Art in Context】
When Elephants and AI Start to Paint: “The Death of the Author” and the Art of Post-Anthropocene (Part III) | CHEN Hung-Hsing
 
【Views on Museum Exhibition】
Designing for the Future: Designing for Our Future Selves | Vic CHENG
 
【Alternative Thinking of Art Education】
Walking on an Age-friendly, Fashionable Runway: A Look at the Older People in a Lively World—the Baoning Community of Kaohsiung | HUANG, Shu-fang
 
【Artist Profile】
A Free Creator Who Explores the “Self” Incessantly: A Profile of Lin Hung-Wen and His Creative Consciousness | HSU Yuan-Ta
 
【Event Report】
Disputes in a Small Room : An Observation of Kaohsiung Awards 2018 | YU Wei
Be There or Be Square: A Panel Discussion Between Lin Bo-Liang and Group Visual-10 | CHEN Tsu-Ting
 
【Selection from the Museum Collection】
  • The Beauty and Sorrow Between Realism and Surrealism: Background Behind and Painting Composition of Studio by Liu Chi-Hsiang | XIAO Qiong-Rui
  • The Poetic Apparition: Dwelling by Yuan Goang-Ming | SHEN Bo-Cheng