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Art Accrediting No. 78

2022/05/19 Views:193
Art Accrediting No. 78

In the Artist's Name: An Ingeniously Designed Museum
February 2018 issue

【Views on the Museum Exhibition】

  • An Encounter after Long-distance Navigation: The Pacific Aesthetics in WAWA: Art in the Contemporary Pacific | LEE Yun Yi
  • The Idea for Producing: Some Themes in Jin-Hua SHI's "Lines: Contemporary Religious Art" | Yves Chun-ta CHIU 
  • Original Intention: Looking Back over LIN Bo-Liang's Photographic Journey | Xin Dai

【Contemporary Art in Context】
  • Life Will Find a Way: Reading Something about Sin Pin Pier—Absolutely Art Space on the Occasion of its 20th Anniversary | TUNG Yu-Hua
  • When Elephant and AI began to paint—"The Death of Author" and Art of the Post-Human Era (Part II) | CHEN Hung-Hsing
  • Cultural Suturing and Connection: A Review of the Art and Creativity of the Contemporary Indigenous Artist CHANG En-Man (Part II) | CHEN Guan-Jhang

【Features: In the Artist's Name: An Ingeniously Designed Museum】
  • The New Formation of 'Self-Institution': Damien Hirst's Museology | LAI Chihting
  • Gomboc Gallery Sculpture Park: Birthplace and Cradle of Western Australia's Sculpture Dream | Ashley Y.H. CHANG 
  • A Dialogue between Art and Nature: Hiroshi Senju Museum Karuizawa | Sunny CHANG 
  • The Wound-healing Water Drops Return to Their Original Source on Jeju Island: Jeju Kim Tschang-Yeul Museum of Art | Ernie YANG
  • New Landmark of Tokyo: Yayoi Kusama Museum | KAO Tzu-Chin 
  • A Talented Woman Artist Who Modeled Clay with Spirit and Flesh: Camille Claudel and Musée Camille Claudel | WANG Hsinli 

【Issues in Art Museums】
Whose Culture? Whose Heritage? Reflections on the Practice of Public Institutes from the Perspective of Cultural Heritage Preservation and Reuse | LIEN Tuzi 

【Artist Profile】
The Aura: A Lament by Sizihwan Bay | Element RU