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Art Accrediting No. 15

2022/01/19 Views:291
Art Accrediting No. 15

 

The Visual Arts Strategy of Local Government Departments of Cultural Affairs 
August 2007 issue

 

 

Publisher’s Statement

Austronesia · Container Arts Festival

• October 6, 2007/April 2008

“Across Oceans and Time, Art in the Contemporary Pacific”, a division of the “Austronesian Contemporary Art Development Project” was launched.

• December 8, 2007/January 13, 2008

“Sustainable Cosmopolis ––2007 Kaohsiung International Container Arts Festival” was launched.

• Late 2007/Early 2008

At the Neiweipi Cultural Park, the containers are all about the “Austronesian Contemporary Art Development Project”, the sea, and ecology.

• The “Austronesian Contemporary Art Development Project” is heading to the sea, and the containers are drifting in all directions.

• Late 2007/Early 2008

The containers of the “Austronesian Contemporary Art Development Project” have been assembled, debated, landed, linked, mapped, and confronted inside Neiweipi Cultural Park.

• As marine systems develop; the land is also deeply valued.

 

 

The Visual Arts Strategy of Local Government Departments of Cultural Affairs .


【Special Report】

  • Fang Xing-Ren’s Achievement in Calligraphy and Art—A Glimpse into the Infinite: Fang Xing-Ren Memorial Exhibition | Lin Jin-Chung
  • Kaohsiung: A Bidonville’s Theory of Eco-Evolution—Curatorial Concept of 2007 Kaohsiung International Container Arts Festival | Chen Hung-Yi
  • The International Conference of “Turmoil , Representation and Trends : Modern Chinese Painting , 1796-1949” | Yang Tun-Yao
  • A Journey of Kaohsiung Architecture—On the Architectural Style of Kaohsiung from 1683-1945 (Part 2) | Su Ling-Hsiu and Li Ying-Yi
  • Next Sex: Issues Regarding Sex Under the Influence of Technology and Culture in Contemporary Art—A Case Study of Matthew Barney’s Cremaster Cycle 4 (Part 1) | Hsu Su-Chen
【Featured Article】
  • In the Name of Culture—The Visual Arts Strategy of Local Government Departments of Cultural Affairs | Lee Jiunshyan
  • Waiting for the Advent of the “New” Yeast—On the Visual Arts Strategy of the Cultural Affairs Department of Pingtung County Government | Huang Chih-Wei
  • Would the South Win or Lose? —On Nanying Awards’ Future | Liu Chih-Yuan
  • The Intersection of Geology, Fossil and Fine Arts—Chiayi Municipal Museum | Sidar
  • Light Our Home Up With Art! —“Art as Environment—A Cultural Action on Tropic of Cancer in Chiayi County | Li Hsing-Chieh
  • To “Act Rightly” or To “Win” —The Case of Penghu County's Cultural Strategy and the Potential Value of Erdai Art Hall | Chou Yi-Hung
  • Naive Art, Austronesian Hometown—The Combination of Art, Industry and Tourism as in Taitung’s Visual Arts Strategy | Kao Tzu-Chin
 【Global View】
El Anatsui’s Bottle-Top Masterpiece—Central Pavilion of the 2007 Venice Biennale | Liao Tien-Ting
【Austronesian Culture】
  • Linking with Art—As the Initiator of the “Austronesian Contemporary Art Development Project” (Part 1) | Lee Jiunshyan
  • Drifting, Leaving, Meeting, Merging: Artist Residency at KMFA—Tafong Kati and Sapod Kacaw | Tseng Mei-Chen
 【Story of Neiweipi】
Dead Wood | Chang Yuan-Shuen
【Birds in Neiweipi】
Youchao | Lin Hung-Lung
【Alternative Art】
Left or Right? Signage Inside the Neiweipi Cultural Park | Yu Shan
【Art for People】
Building a Street Between Dreams and Reality—From Taichung’s “The Republic Neighborhood” to Tainan’s “Beautiful New Horizon Project” | Chang Hui-Lan
【Art in Life】
LOHAS Aesthetics—Cishan Pebble Embankment | Yu Shan
【Li Szu-Hsien’s Column】
Subculture and Southern Flavor—The Formulation of "Kaohsiung Art Studies" in "Formosa Mambo" | Li Szu-Hsien
【Artist Profile】
Non-hereditary Dignity—Hagu | Huang Ching-Ying
【Critic Profile】
A Way to Interpret Art | Chen Shui-Tsai
 New Acquisition】
That Year, I Was 18 Years Old—RUSAMUKAN’s My Family | Chen Hsiu-Wei
 【Children’s Art】
Fantastic Architectural Expressions—The Magic Tree House | Hung Chin-Chan
 【Monograph Abstract】
The Nude that Escaped from the Empty Frame: Double Indulgence in Modernism—A Case Study of Chu Chen-Tung’s Poems and Paintings (Part 4) | Li Yu-Huang
 【Views Around KMFA】
Flourishing Lotus—Greenery Under the Monet Bridge of KMFA | Rung Li-Chuan
 【DIY Tips on Art Critique】
The Warehouse next to Fisherman’s Wharf, Port of Kaohsiung | Lee Jiunshyan