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Art Accrediting No. 81

2022/05/19 Views:190
Art Accrediting No. 81

The Code of Sculpture
August 2018 issue

【Views on Museum Exhibition】

  • Gaze on Tate's 'Nude' to Deconstruct Voyeurism | YANG, Yunnia 
  • Reinterpreting Images, Transmitting Desires | TSENG, Shao-Chien

【Features/ The Code of Sculpture】
  • Releasing and Casting from the Female Body to the Matrix: The Paradigm Transition of the Sculpture by British Contemporary Women Artists | LAI, Chihting
  • Having an Emotional Dialogue with Cathy Wilkes in Her Installation Works | Ida YANG 
  • De-construction and Expansion: The Development of Contemporary Sculpture in Taiwan | HSIAO, Chong-ray 
  • Contemporary Life Form Refined from the Ancient Times: An Interview with the Artist Hsu Yung-Hsu | HSU, Po-han 
  • Cold, Hard, yet Light: Chen Yi-Chang's Soft/Hard Sculpture | TUNG, Yu-Hua 
  • Emotion, Religion, and the Status of Being: An Interview with Kang Lih-Ying on His Works | KUO, Pi-tzu 
  • Weaving Love: On Soft-Sculpture Artist Kuo Chao-Yin and Her Secret Garden | Rita YU 
  • Taiwan Sculptures and Documentary Films Illuminating the 35th Gomboc Annual Sculpture Survey in Perth Western Australia | Ashley Y.H. CHANG

【Contemporary Art in Context】
  • The Beauty of AI Art (I) | CHEN, Hung-Hsing
  • Kia Ora! Hello, New Zealand: Reinterpreted Maori Culture | HUNG, Da-Yuan

【Artist Profile】
A Tough Man with a Tender Heart: The Kaleidoscopic Variations and Tropical Colors in the Art of Hsu Tzu-Kuey | HSU, Yuan-Ta 

【Selection from the Museum Collection】
Extendability: The Self and the Abnormal | YANG, Chia-ling