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Art Accrediting No. 81
2022/05/19
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Art Accrediting No. 81
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The Code of Sculpture
August 2018 issue
【Views on Museum Exhibition】
Gaze on Tate's 'Nude' to Deconstruct Voyeurism | YANG, Yunnia
Reinterpreting Images, Transmitting Desires | TSENG, Shao-Chien
【Features/ The Code of Sculpture】
Releasing and Casting from the Female Body to the Matrix: The Paradigm Transition of the Sculpture by British Contemporary Women Artists | LAI, Chihting
Having an Emotional Dialogue with Cathy Wilkes in Her Installation Works | Ida YANG
De-construction and Expansion: The Development of Contemporary Sculpture in Taiwan | HSIAO, Chong-ray
Contemporary Life Form Refined from the Ancient Times: An Interview with the Artist Hsu Yung-Hsu | HSU, Po-han
Cold, Hard, yet Light: Chen Yi-Chang's Soft/Hard Sculpture | TUNG, Yu-Hua
Emotion, Religion, and the Status of Being: An Interview with Kang Lih-Ying on His Works | KUO, Pi-tzu
Weaving Love: On Soft-Sculpture Artist Kuo Chao-Yin and Her Secret Garden | Rita YU
Taiwan Sculptures and Documentary Films Illuminating the 35th Gomboc Annual Sculpture Survey in Perth Western Australia | Ashley Y.H. CHANG
【Contemporary Art in Context】
The Beauty of AI Art (I) | CHEN, Hung-Hsing
Kia Ora! Hello, New Zealand: Reinterpreted Maori Culture | HUNG, Da-Yuan
【Artist Profile】
A Tough Man with a Tender Heart: The Kaleidoscopic Variations and Tropical Colors in the Art of Hsu Tzu-Kuey | HSU, Yuan-Ta
【Selection from the Museum Collection】
Extendability: The Self and the Abnormal | YANG, Chia-ling
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