【Event Report】

• The Submerged Nude Art in Taiwan: Sitting Up Straight, Headless, Deformed, and Self Anatomy: A Critique of Tomb of the Soul. Temple, Machine, and Self ｜ Takamori Nobuo
• An Architecture of Construction without Effort: Some Talks about Hsieh Ying-Chun's Architectural Practice ｜ Yves Chun-Ta CHIU

• In Search of Southeast Asia through the M+ Collections: What Do We See from the Collections of Southeast Asia? ｜ TING Wing Yan, Vivian
• Between Research and Innovation: Curated Exhibitions on the Museum's Collections in Korea in Recent Years ｜ Ernie YANG 
• A Moving Digital Palace: the Changing Curatorial Mechanism of the National Palace Museum ｜ LAI Chihting
• New Directions of the Museum: Discovering Taiwan: Re-visiting the Age of Natural History and Naturalists of Taiwan ｜ HUNG Da-Yuan 
• Constellations of Modern Art: Highlights from the Collection of Tate Liverpool ｜ TAI Ying-Hsuan 
• Embedding Display Narration and Aesthetic Experience: Musée du Quai Branly - Jacques Chirac, France ｜ WANG Hsinli 

• The Beauty of AI Art (II): Aesthetic Experience in the "Beautiful Digital Life" ｜ CHEN, Hung-Hsing
• The Life Energy in Face the Earth, a Documentary by Huang Ming-Chuan ｜ HSU, Ching-Yeh

• Between Convergence and Sharing: Iyo Kacaw ｜ CHEN Hao-Yi 
• Following "GAYA" to Let Creating Become Sharing; Presenting in Art the Truth Which Surpasses the Reality: An Interview with Don don Houmwm ｜ YANG Ya-Ling