Art Accrediting No. 17

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Austronesian Contemporary Art Development Project (Part 2)
December 2007 issue

Publisher Statement

Austronesian Contemporary Art Development Project. (Part 2)

【Special Report】

Carry Forward the Economical Character and Revive the Container Culture—In-depth Reflections on Kaohsiung International Container Arts Festival ｜ Oral account by Lee Jiunshyan, Edited by Lin Chia-Ho
From Container Port to Ecological Care—The 2007 Kaohsiung International Container Arts Festival ｜ Chen Hung-Yi
The "Dynamic" Aesthetics of Mechanical Art ｜ Chen Ming-Hui
Too Silent a Noise in an Industrial Atmosphere—Review of “Art of Kaohsiung 2007: Mechanical Art in Kaohsiung” ｜ Hong Jian-Yuan
From the Past to the Future: An In-depth Dialogue Between Taiwan and Italy—“Footprints into the Future: Contemporary Art from Taiwan” ｜ Tseng Fangling
The Interlacing of Biological Communities and Human Development—On “New Taiwan Street Stall Team 2”’s Exhibition “Waterfront, Community” ｜ Hsu Su-Chen
Journey with the Primordial Spirit: 2007 Food Stock Art Groups Warehouse Traveling Exhibitions ｜ Huang Chih-Wei
Next Sex: Issues Regarding Sex Under the Influence of Technology and Culture in Contemporary Art—A Case Study of Matthew Barney’s Cremaster Cycle 4 (Part 3) ｜ Hsu Su-Chen

【Featured Articles：Austronesian Contemporary Art】

Constructing the “Austronesian Epic” —Review of “Across Oceans and Time: Art in the Contemporary Pacific” ｜ Chen Shui-Tsai
What Makes Our World So Different? On “Across Oceans and Time: Art in the Contemporary Pacific” ｜ Huang Chih-Wei
From “Taluan” to Fine Arts Museums—The Origin and Development of Contemporary Aboriginal Art ｜ Pan Sheau-Shei
Starting from Where We Are ｜ Rahic Talif
Reactions to the Stereotypical “Indigeneity”: The Possibilities of Taiwanese Contemporary Aboriginal Art in the 2000s ｜ Lu Mei-Fen
We Are Here! The Daily Practice of East Coast Contemporary Aboriginal Art ｜ Li Yun-Yi
Reproduction of Stereotypes Is Not Cultural Exchange: Tapiwulan Kulele’s Reflections on His Residency at Tjibaou Cultural Center ｜ Oral Account and Images by Tapiwulan Kulele, Edited by Hong Jian-Yuan
The Vital Force Originated from the Tribe and Nature: Iming Mavaliw’s Reflections on Her Residency at Tjibaou Cultural Center ｜ Iming Mavaliw, Edited ｜ Kao Tzu-Chin

【Story of Neiweipi】
Fallen Leaves ｜ Chang Yuan-Shuen
【Birds in Neiweipi】
Taiwan Barbet ｜ Lin Hung-Lung
【Art for People】
Right Here Right Now: Art Intervention in 2007—A Case Study of Kaohsiung Ciaotou Sugar Refinery ｜ Chang Hui-Lan
【International Experience】
Idle Again? New Life? —The Ultimate Fate of Revitalized Vacant and Decrepit Spaces in Taiwan ｜ Huang Qian-Fang
【Alternative Art】
The Dazzling Light: Ruby Swana’s Happiness of the Butterfly ｜ Yu Shan
【Artist Profile】
Look! It’s the Landing of the Son of E’tolan—Siki Sufin ｜ Huang Ching-Ying
【Critic Profile】
My Approach to Art Review—From Researching to Writing ｜ Lin Chih-Ming
【New Acquisition】
Captivating Pulsations of the Sea and Human—Cheng-Jui Chen’s Father on the Fishing Boat ｜ Chen Hsiu-Wei
【Children’s Art】
About Imagination—A Case Study of “Fantasy is Beauty…Enjoy a Surrealist Adventure” in Kaohsiung Children's Museum of Art (Part 1) ｜ Chen Chan-Chuan
【Art in the Streets】
INART SPACE: New Artistic Ecology in the Old Streets of Tainan ｜ Wu Hui-Fang
【Views around KMFA】
Swinging of the Sleeves—The Cloister of KMFA ｜ Rung Li-Chuan
【DIY Tips on Art Critique】
Recent Works of Georg Baselitz ｜ Lee Jiunshyan

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