【目次】
專文
關於《美術高雄2025:眼球世代藝術奇譚》:一個有點長的導言
徐柏涵、金恬綺、謝宇婷
地方藝術之「主體性」探微:
高雄當代視覺文化與藝術創作
陳宏星
藝術家與專訪
張騰遠
張騰遠與鸚鵡人─一種(假粉絲)解讀視角|陳晞
黃法誠
即使有世界末日,也要幽默以對─黃法誠創作中的山、水與環境共感|吳念澄、林祁恩
丁柏晏
Eleven|丁柏晏
官孟玄
觀看與敘事之間的中間景觀─官孟玄的藝術凝視與逃逸|蔡玉庭
林佩穎
感性的社會素描 個人的感性書寫與
場域對話的觸媒─林佩穎的創作歷程|吳念澄、林祁恩
張恩慈
在童話之外─藝術家張恩慈專訪|張恩慈撰文、徐柏涵訪問
林慶芳
翻新臺灣懷舊童趣
俗擱有力也能很美麗─林慶芳|洪威喆
李明則
從俠客到哥吉拉─李明則的現代寓言|陳水財
倪再沁
超-超扁平─倪再沁的「玩笑-普普」藝術創作|石瑞仁
張程鈞
將協作者視為材料─張程鈞言之有「物」|王瑀
張致中
從未離開過的人─張致中《歌百工》的「在鄉之愁」|黃又文
走路草農 / 藝團
種植、燒製、鑄造─〈超級菱角〉的育種心情|走路草農/藝團
阮永翰
聑蝶,媒介,與風景─阮永翰關於白色恐怖的創作|陳平浩
ESSAYS
On Art of Kaohsiung 2025:
Fables of the Eye ball Generation:
A Slightly Long Introduction
HSU Po-Han, CHIN Tien-Chi,
HSIEH Yu-Ting
ACG Aesthetics Between Fine
Art and Contemporary Art:
A Genealogical Exploration in
Fables of the Eyeball Generation
CHEN Hung-Hsing
ARTISTS’ PROFILES
and INTERVIEWS
CHANG Teng-Yuan
Chang Teng-Yuan and His Parrot Man:
Reading Through the (Fake-Fan) Lens
| Sid CHEN
HUANG Fa-Cheng
Holding on to Humor, even at the
World’s End The Co-Resonance of
Mountains, Waters, and Nature: The
Art of Huang Fa-Cheng | Nancy WU
& LIN Chi-En
DING Pao-Yen
Eleven | DING Pao-Yen
KUAN Meng-Hsuan
The Intermediary Landscape Between
Viewing and Narration: On Kuan
Meng-Hsuan’s Artistic Gaze and
Escapism | TSAI Yu-ting
LIN Pei-Ying
Lin Pei-Ying: From Personal Practice
to Social Dialogue | Nancy WU & LIN
Chi-En
CHANG En-Tzu
Beyond Fairytale: An Interview with
Artist Chang En-Tzu | CHANG En-Tzu
(Text), HSU Po-Han (Interview)
LIN Ching-Fong
Remixing Taiwanese Nostalgia: Lin
Ching-Fong | Wiser HONG
LEE Ming-Tse
From Rangers to Godzilla: Lee Ming-
Tse’s Modern Allegories
| CHEN Shui-Tsai
NI Tsai-Chin
Super-Superflat: The “Parody-Pop”
Artworks of Ni Tsai-Chin
| SHIH Jui-Jen
CHANG Cheng-Chun
Speaking with Matter: On Chang
Cheng-chun’s Collaboration with
Experts | WANG Yu
CHANG Chih-Chung
Those Who Never Left: Solastalgia in
Chang Chih-Chung’s Ode to Walks of
Life | Erica Yu-Wen HUANG
Walking Grass Agriculture
Seeding, Firing, Minting: The
Cultivator’s Sentiment Behind Super
Water Caltrop | Walking Grass
Agriculture
JUAN Yung-Han
Debtorfly, Medium and Landscape:
Jung Yung-Han’s works on White
Terror | CHEN Pin-Hao