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《藝術認證》第98期

2022/07/08 點閱數:1301
《藝術認證》第98期

 

《藝術認證》98期

《藝術認證》No. 98(2022.06)尋件啟事

Art Accrediting No. 98: The Search of Artworks

 

 

本期藝術認證因應2022年5月上檔的《光-臺灣文化的啟蒙與自覺》展覽與黃土水入選帝展、下落不明許久的經典代表作〈甘露水〉再度現身的藝術史大事件,以「尋件啟事」為當期專題,試圖探究藝術史上潛藏已久後重見天日的作品,同時探究使其埋沒、消失的緣由。透過拼湊他們散落的線索,不僅是還原藝術家創作的歷程與時代背景,更可能拓展、甚至顛覆我們的觀點,建構出更多元、豐富的藝術史。


{封面概念}

本期封面也呼應此主題,描繪出「尋覓的過程」,以不同大小的顆粒,虛實間交疊出層層的階梯,階梯沒有明確的上下方向、起點或終點,就如同探索永不停歇。

{購買方式}
※訂閱《藝術認證》:https://reurl.cc/GovDKv
 
※單期購買方式
高美書屋:高雄市立美術館1F
高美館官網: https://reurl.cc/M0qbYK
博客來: https://reurl.cc/6ZrZ9y
誠品: https://reurl.cc/7D5Dmd
Hyread電子書: https://reurl.cc/loGol6
UDN電子書: https://reurl.cc/7D5DWy
{本期目次}

 I. 尋件啟事 Features
尋找台灣美術史──〈甘露水〉為我們展示的意義|顏娟英
尋找黃清埕――雕塑家的南方紀事|徐柏涵
失而復得的克林姆畫作:真相仍在迷霧中|廖唯筑
一幅畫的博物館生命史:臺博館藏《鹽月桃甫(1923)『邦查』國人引見圖》的發現、入藏與展示|李子寧
尚待「再發現」的臺灣美術清單:淺談日治時期與國民政府的公部門收藏|劉錡豫
藝術品所為何來?所為何去?——歡迎光臨諾亞.查尼的《失落藝術博物館》|王欣翮
 
II. 南方視野 Southern Aspects
《光》展在南方:高美館館長李玉玲與蔣伯欣老師對談|藍鈺樺
那些年,在社運現場的葉陶|楊翠
看得見與看不見——高雄文協地景小旅行|陳坤毅
藝術與社會拉扯之間:保守氛圍下的南方裸體習作|連子儀
 
III. 展演觀察 Exhibition Insights
東西方交會中臺灣意識的萌芽:《甘露水》的誕生與再生|鈴木惠可
美術館夜行:黑暗中的作品靈光|謝宇婷、李芝穎、田佳穎
 
IV. 南島人物 Whose Memory?
生火、生活與神話:拔舒浪.魯魯安(Pasulange Druluan)的藝術|許瀞月
拉飛.邵馬(Lafin Sawmah):大地與海洋交織的臉孔|陳豪毅

 

 

 

Inspired by the Lumière exhibition, we used the topic of “The Search of Artworks”. Talk about what is the reason for making the artworks disappear or appear. Put the clues together, it’s not only to restore the elapsed or the historical background. It also can make our view to be broad, and create a fresh perspective.

Contents
I. Features
The Search for Taiwanese Art History: The Significance of Water of Immortality |Yen Chuan-Ying
The Search for Huang Ching-Cheng: Notes on the Sculptor’s Life in the South |Hsu Po-Han
Lost and Found: Klimt and the Ongoing Search for Truth |Liao Wei-Chu
The Life History of a Paining in the Museum: The Discovery and Collection of Shiotsuki Toho's Tokugawa Ieyasu Meeting the Pangcah People (1923) at the National Taiwan Museum |Li Tzu-Ning
The List of Taiwanese Artworks Awaiting Rediscovery: A Brief Introduction of Collections of the Public Sector During the Japanese Reign and the Nationalist Government |Liu Chi-Yu
Stories of Disappearance and Recovery: Welcome to Noah Charney’s The Museum of Lost Art |Eleanor Wang

II. Southern Aspects
The Lumière Exhibition in the South: Talk between Director Yulin Lee and Chiang Po-Shin |Megan Lan
Yeh Tao and the Social Movements She Participated |Yang Tsui
The Visible and Invisible: The Landscapes of Taiwan Cultural Movement in Kaohsiung |Chen Kun-Yi
The Tug Between Art and Society: Nude Works in the Conservative South |Lien Tzu-Yi

III. Exhibition Insights
The Awakening of Taiwan Consciousness Amid the Merge of the East and West: The Birth and Rebirth of Water of Immortality |Eka Suzuki
"Torchlight Tour in the Art Museum": Aura in the Dark |Tammy Yu-Ting Hsieh, Li Chih-Ying, Tian Chia-Ying

IV. 南島人物 Whose Memory?
Living Matters and Mythology: The Art of Pasulange Druluan |Hsu Ching-Yeh
Lafin Sawmah: The Face Woven by the Earth and the Ocean |Akac Orat

V. Abstract

 

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