「邊界敘譜II—都蘭印象」接續著敘說身為排灣族藝術家的撒古流，流浪至以阿美族群為主的都蘭部落，在新東糖廠落腳創作，並速寫一系列「都蘭印象」的手稿，這些手稿紀錄了撒古流當時客居他族的生活印象。新東糖廠閒置多年後，陸續有許多外地來的藝術家於此駐地創作，並與當地的藝術家互動頻繁，這些藝術家們刻意與台灣主流藝術潮流劃清界線，守著一份對藝術的純真愛戀。

　　Continuing from its predecessor, the Boundary Narratives II—Dulan Impression exhibition features the works and manuscript series created by Sakuliu, an artist from the Paiwan tribe, when he traveled to Dulan village, where the villagers were mainly of the Amis tribe, and stayed at Sintung Sugar Factory. Titled “Dulan Impression”, this series of manuscripts are records of Sakuliu’s days of living in an indigenous tribe not of his own. After years of idleness, Sintung Sugar Factory has become a magnet for many artists from the other places in Taiwan coming here one after another as artists in residence to create their works and interact frequently with local artists.These artists painstakingly keep a distance away from the mainstream art in Taiwan, trying to maintain the purity of their love and commitment to art.