策展人: 曾媚珍 / 高美館資深研究員
Curator/ Mei-chen Tseng, Senior Researcher, Kaohsiung Museum of Fine Arts
輔仁大學應用美術學系、美國密西根州立大學藝術研究所畢業，現任高雄市立美術館副研究員，曾任秘書、推廣組、展覽組、典藏組、研究組組長。開館初期，與高雄藝術界人士共同推動「藝術送到家」教育活動，招集藝術大使深入社區。
專案研究「南島當代藝術」，策劃「陷阱:2019高雄國際貨櫃藝術節」、「WAWA:南島當代藝術」、「邊界敘譜—撒古流vs拉黑子」雙個展、「跨･藩籬-台灣原住民當代藝術海外展」、「蒲伏靈境—山海子民的追尋之路」等原住民藝術展覽。2016年受紐西蘭(Creative NZ)邀請，至關島參加其於每四年舉辦一次的太平洋藝術節(Festivla of Pacific Arts in Guam)中的Te Manu Ka Tau international visitors programme。受邀為「PULIMA 藝術獎」、「南島國際美術獎」、「原民會藝術工作者駐村計畫」等評審委員。
台灣美術研究，策劃「切切故鄉情—陳澄波紀念展」、「空谷中的清音—劉啟祥」、「林惺嶽:大自然奇幻的光影」、「空．間．詩人：李光裕創作研究展」、「媒體是一切—盧明德創作研究展」、「下港畫家—張金發創作研究展」、「生命流轉･工業史詩—蘇信義的工業美學」。關注台灣公共藝術發展，擔任執行小組及評審委員，受聘為屏東縣第六屆公共藝術審議委員，現為文化部公共藝術視覺藝術類專家學者。
相關文論發表於《藝術認證》、《藝術家》、《典藏—今藝術》、《藝術新聞》、《美育月刊》、《中國時報》、Pacific Arts: The Journal of the Pacific Arts Association, The Festivl of Pacific Arts: Celebrfating over 40 years of Cultural Heritage及策展之展覽專輯中。
Tseng is currently an Senior researcher at the Kaohsiung Museum of Fine Arts (KMFA). She received her BA from the Department of Applied Arts at Fu Jen Catholic University in Taiwan and MA from the Graduate School of Art Education at Michigan State University in the US.
The special research-oriented exhibitions she curated include WAWA: Art in the Contemporary Pacific, Boundary Narratives:Dulan Impression, Boundary Narratives: A memory of Light by Sakuliu vs. The Space of Fifty Steps by Rahic Talif, Everything Ends! The World Can Wait! Beyond the Boundary: Contemporary Indigenous Art of Taiwan, The Great Journey—In Pursuit of the Ancestral Realm, Lin Hsin Yueh: Magical Light and Shadow in Nature, Nostalgia in the Vast Universe: Commemorative Exhibition of Chen Cheng-po, Sound of Tranquility: A Retrospective of Liu Chi-hsiang, Media is Everything: Art of Lu Ming-te and Su Hsin-yi: Vicissitudes of Life and the Epic of Industry. She was invited to serve as one of the judges for the Pulima Art Award and sit on several committees of major art-related events such as the Preparation Committee and the Judging Committee for the 2012 Austronesian International Art Award, the Evaluation/Selection Committee for the “Management Program of the Aboriginal Artists-in-residence Projects of the Council of Indigenous Peoples”, and the implementation teams and evaluation/selection committees of several national programs of public artwork competitions. She was recommended to and appointed as a specialist on public art and visual art by the Ministry of Culture in Taiwan.
Her essays and articles are published in publications such as Pacific Arts:The Journal of the Pacific Arts Association, Art Accrediting, ARTCO Monthly, CANS, Art Education Monthly, China Times and several exhibition catalogues. She is the author of Life Journey and Art of Liu Chi-hsiang , Liu Chi-hsiang:Mature and the catalogs of exhibition she curated.
